{"id":14,"date":"2025-01-10T17:39:22","date_gmt":"2025-01-10T17:39:22","guid":{"rendered":"https:\/\/dancingbrush.com\/?page_id=14"},"modified":"2025-09-08T18:02:03","modified_gmt":"2025-09-08T18:02:03","slug":"featured-in","status":"publish","type":"page","link":"https:\/\/dancingbrush.com\/?page_id=14","title":{"rendered":"FEATURED IN"},"content":{"rendered":"\n\n\t<p>Rosemary KimBal&#8217;s work has flowed through many spaces over the years-exhibitions, magazine features, and media stories. Each brushstroke, each word, forms a tapestry-woven into the fabric of contemporary Zen art world. Each feature speaks to the present moment, yet echoes through time.<\/p>\n<h2>\n\t\tArtist statement\n\t<\/h2>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/dancingbrush.com\/wp-content\/uploads\/2025\/01\/2016-Andean-Condor-with-the-Artist-e1738020124479.jpeg\" alt=\"OLYMPUS DIGITAL CAMERA\" itemprop=\"image\" height=\"734\" width=\"542\" title=\"OLYMPUS DIGITAL CAMERA\" onerror=\"this.style.display='none'\"  \/>\n\t<p>My Contemporary Zen Paintings are a quiet dialogue between motion and stillness. Each brushstroke an echo of breath, each pause a deliberate space for reflection. Guided by the Four Treasures: Ink Stone, Ink Stick, Rice Paper, and Bamboo Brush, I paint intuitively, allowing the form to unfold without expectation. The process is not one of control, but of discovery. A gentle surrender to the rhythm of the moment. Through a balance of abstraction and realism, I invite the viewer to enter a visual<\/p>\n\t<p>meditation. When a painting draws one inward toward a center of calm, clarity, and presence, it has fulfilled its purpose.<\/p>\n<p>In stillness, I paint as Rosemary KimBal, founder of Dancing Brush<strong>\u00ae<\/strong>, the name given to my practice and path. Each piece is signed with\u00a0<strong>&#8220;<\/strong>Beautiful Joy<strong>&#8220;, (<\/strong>Mei Yue in Chinese, Meitsu in Japanese) a quiet reflection of the spirit I trust each stroke conveys.<\/p>\n<h2>\n\t\tsdma artists guild exhibit\n\t<\/h2>\n\t<meta itemprop=\"url\" content=\"https:\/\/dancingbrush.com\/wp-content\/uploads\/2025\/02\/My-Video-1.mp4\" \/><div style=\"width: 640px;\" class=\"wp-video\"><video class=\"wp-video-shortcode\" id=\"video-14-1\" width=\"640\" height=\"360\" autoplay preload=\"metadata\" controls=\"controls\"><source type=\"video\/mp4\" src=\"https:\/\/dancingbrush.com\/wp-content\/uploads\/2025\/02\/My-Video-1.mp4?_=1\" \/><source type=\"video\/mp4\" src=\"https:\/\/dancingbrush.com\/wp-content\/uploads\/2025\/02\/My-Video-1.mp4?_=1\" \/><a href=\"https:\/\/dancingbrush.com\/wp-content\/uploads\/2025\/02\/My-Video-1.mp4\">https:\/\/dancingbrush.com\/wp-content\/uploads\/2025\/02\/My-Video-1.mp4<\/a><\/video><\/div>\n\t<p>This video is shared at the SDMA ARTISTS GUILD exhibit at MOPA in Balboa Park, San Diego from 11\/09\/24-03\/09\/2025. Rosemary&#8217;s Giant Brushes are shown at minute 2:09, Painting exhibited &#8220;Wings of Courage&#8221; at 2:13, Rosemary painting a Brush Stroke at 4:18, and placing a Seal at 4:20<\/p>\n\t<p>San Diego Museum of Art &#8211; Artists Guild<\/p>\n\t<p>San Diego Home and Garden<\/p>\n\t<p>Sumi-e<\/p>\n\t<h2><strong>EXHIBITIONS:<\/strong><\/h2>\n<strong>SOLO<br \/>\n<\/strong>&#8211; Cardiff by-the-Sea California Library (February 1, 2022-March 29, 2022)<br \/>\n&#8211; Ren Brown Collection, Bodega Bay (1994)<br \/>\n&#8211; Global Gallery, La Jolla (1994)<br \/>\n&#8211; Saraphina Gallery, San Diego (1990)<br \/>\n&#8211; Intarsia Gallery, Del Mar (1989)<br \/>\n&#8211; Athenaeum, La Jolla (1987, 1983)<br \/>\n&#8211; Greenville Museum of Art, North Carolina (1986)<br \/>\n&#8211; Contemporary Korean Gallery in Fire Station with Amber Restaurant (1983)<br \/>\n&#8211; Contemporary Asian Gallery, San Diego (1983)<br \/>\n&#8211; Visual Dimensions Gallery, San Diego (1983)<br \/>\n&#8211; Athenaeum Lovers and Friends&#8230;combination of Rosemary KimBal paintings and a collection of Antique Japanese Scrolls (1983)\n<strong>TWO PERSON<br \/>\n<\/strong>&#8211; Solana Beach City Art Gallery with Vietnamese Artist Moch Van Nyguen (2000)<br \/>\n&#8211; State University Gallery with a Ceramic Artist Raleigh, North Carolina (1985)\n<strong>THREE PERSON<br \/>\n<\/strong>&#8211; Ronin Gallery, New York City (Largest Collection of Japanese Art in America) KimBal representing Zen Painting in America, Toko Shinoda, representing Zen painting in Japan and;\u00a0Gyokusho A 19<sup>th<\/sup> Century Woodblock Artist (1999)\n<strong>GROUP<br \/>\n<\/strong>&#8211; San Diego Museum of Art Artists Guild at Museum of Photographic Arts Dammeyer Gallery &#8211; \u00a0\u00a0Inaugural Exhibition, juried by La Jolla Contemporary Art Museum Director Emeritus Hugh Davies (November 7, 2024-March 9, 2025)<br \/>\n&#8211; Featured in People&#8217;s Choice of Best of Show at Fallbrook Art Center (2024)<br \/>\n&#8211; San\u00a0Diego Museum of Art Artists Guild &#8220;Festival of Fine Art, juried show by Derrick Cartwright, Museum Director (2005)<br \/>\n&#8211; Solana Beach City Hall Gallery\u00a0with\u00a0Asian Impressions(2004)<br \/>\n&#8211; San Diego Hospice\u00a0with\u00a0Asian Impressions\u00a0Artists (2002)<br \/>\n&#8211; Michael Collins Gallery in Escondidowith\u00a0Asian Impressions\u00a0(2001)<br \/>\n&#8211; Ren Brown Collection, Bodega Bay (1991 &#8211; 1993)<br \/>\n&#8211; Ronin Gallery, New York City (1987 &#8211; 1994)<br \/>\n&#8211; Sumi-e Society International Exhibition, Fine Art Museum of the South, Atlanta, Georgia (1992)<br \/>\n&#8211; National Arts Club, Sumi-e Society, New York (1988)<br \/>\n&#8211; Eva Chan Gallery, La Jolla (1987)<br \/>\n&#8211; Chinese Brush Painting Society, San Diego (1975 &#8211; 1994)<br \/>\n&#8211; Pacific Cultural Foundation Invitational Show, Talpel, Taiwan, China (1984)<br \/>\n&#8211; Sumi-e Society, Salamagundi Club, New York City, (1984, 1985 Award, 1986, 1987)<br \/>\n&#8211; American Artists of Chinese Brush Painting, Newport Beach (1984 Award)<br \/>\n&#8211; American Artists of Chinese Brush Painters; in Person in Taipei, Taiwan at Pacific Asian Arts Group Show of American Artists of Chinese Brush Painters (AACBP) (1984)<br \/>\n&#8211; Raymond Chow Galleries, Vancouver, BC, Canada (1981 &#8211; 1983)\n<strong>MEDIA &amp; PUBLICATIONS:<br \/>\n<\/strong>&#8211; Encinitas Advocate article by Lonnie Burston Hewitt and Maurice Hewitt and online at the San Diego Union-Tribune (published on July 25, 2025)<br \/>\n&#8211; TV Channel 8: Hal Clement Interview (1991)<br \/>\n&#8211; First Thursday Magazine: Best of San Diego Edition (1991)<br \/>\n&#8211; San Diego Home &amp; Garden (1990)<br \/>\n&#8211; Light Connection: covers of monthly publication (1988 &#8211; 1992)<br \/>\n&#8211; Sumi-e Society of America: Fall Quarterly Cover (1988)<br \/>\n&#8211; Harcourt, Brace, Jovanovich : book cover: *Chinese Emperor* (1987)<br \/>\n&#8211; Ronin Gallery, New York City: The Japan Collection Catalog (1987 -1994)<br \/>\n&#8211; San Diego Union, Art Review by H. Gardiner (1984)<br \/>\n&#8211; West &#8211; Art Magazine (1981)<br \/>\n&#8211; Del Mar Centennial *Looking Back* bookcover\n\n","protected":false},"excerpt":{"rendered":"<p>Rosemary KimBal&#8217;s work has flowed through many spaces over the years-exhibitions, magazine features, and media stories. Each brushstroke, each word, forms a tapestry-woven into the fabric of contemporary Zen art [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":68,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-14","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/dancingbrush.com\/index.php?rest_route=\/wp\/v2\/pages\/14","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dancingbrush.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dancingbrush.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dancingbrush.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dancingbrush.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14"}],"version-history":[{"count":6,"href":"https:\/\/dancingbrush.com\/index.php?rest_route=\/wp\/v2\/pages\/14\/revisions"}],"predecessor-version":[{"id":633,"href":"https:\/\/dancingbrush.com\/index.php?rest_route=\/wp\/v2\/pages\/14\/revisions\/633"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dancingbrush.com\/index.php?rest_route=\/wp\/v2\/media\/68"}],"wp:attachment":[{"href":"https:\/\/dancingbrush.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}